Adopting Historicization as an Alienation Technique in Margaretta D’Arcy and John Arden’s The Non- Stop Connolly Show

Abstract

This study investigates the unique approach of John Arden and Margaretta D’Arcy in employing historicization in The Non-Stop Connolly Show (1975) to prompt a V-effect (Verfremdungseffekt). Their innovative use of this effect, which represents a cornerstone of Epic Theatre, compels audiences to critically engage with the theatricality of the performance rather than passively absorb its emotional content. The Non-Stop Connolly Show is a six-part dramatic cycle that meticulously recounts the life of the prominent Irish socialist and nationalist leader, James Connolly. It skillfully blends factual historical details with fictionalized elements, using alienation techniques to ensure the accuracy of Connolly’s portrayal. By conducting a comprehensive analysis of Connolly’s story from various angles, the study presents a chronological overview—from his early years to his execution after the 1916 Easter Rising. It connects historical records with artistic representation, highlighting Connolly’s political and social struggles. This exploration fosters an awareness of history as a dynamic process and encourages critical reflections on Connolly’s legacy, emphasizing its relevance to the current socio-political issues and thereby engaging the audience in a contemporary context.